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Illustration - Drawbridge Parable. A man had the duty to raise a drawbridge to allow the steamers to pass on the river below and to lower it again for trains to cross over on land. One day, this man's son visited him, desiring to watch his father at work. Quite curious, as most boys are, he peeked into a trapdoor that was always left open so his father could keep an eye on the great machinery that raised and lowered the bridge. Suddenly, the boy lost his footing and tumbled into the gears. As the father tried to reach down and pull him out, he heard the whistle of an approaching train. He knew the train would be full of people and that it would be impossible to stop the fast-moving locomotive, therefore, the bridge must be lowered! A terrible dilemma confronted him: if he saved the people, his son would be crushed in the cogs. Frantically, he tried to free the boy, but to no avail. Finally, the father put his hand to the lever that would start the machinery. He paused and then, with tears he pulled it. The giant gears began to work and the bridge clamped down just in time to save the train. The passengers, not knowing what the father had done, were laughing and making merry; yet the bridgekeeper had chosen to save their lives at the cost of his son's.
Illustration - Once upon a time, a king ordered a three-day fast throughout the kingdom. Anyone caught eating was to be smitten seven times with a rod. Anyone caught assisting another in breaking the fast would be shackled to a ball and chain. After two days, one nobleman, a count, decided he couldn't hold out. So he ordered three servants to prepare a meal. Word leaked to the royal palace that the count and countess were breaking the fast. The king and queen were furious, and rushed to the count's home, bursting in just as dessert was being served. The king growled in a sarcastic voice, \"Is the count full\" \"Yes,\" declared the queen, pointing to the five offenders and ordering their punishment. \"Ball three and strike two!\" -- \"Strange World,\" Campus Life, Vol. 53, no. 6.
During her childhood and adolescence, de Armas had no internet access and had limited knowledge of popular culture beyond Cuba.[12] She was allowed to watch \"20 minutes of cartoons on Saturday and the Sunday movie matinee.\"[13] Her family did not own a \"video or DVD player\" and she watched Hollywood movies in her neighbor's apartment.[14] She memorized and practiced monologues in front of a mirror,[15][16] and decided to become an actress when she was 12.[17] In 2002, aged 14, she successfully auditioned to join Havana's National Theatre of Cuba.[6][18] She sometimes hitchhiked to attend the \"rigorous\" course.[19][20] While a student, she filmed three movies.[7][4] She left the four-year drama course months before presenting her final thesis because Cuban graduates are forbidden from leaving the country without completing three years of mandatory service to the community.[7][21] At age 18, with Spanish citizenship through her maternal grandparents,[3][11] she moved to Madrid to pursue an acting career.[7]
Certainly as long as demand grows faster than supply we can expect prices to rise. But supply is not wholly inelastic. Since I moved to the area in 2010, many new residential units have been built in Midtown, and Chelsea, and Hudson Yards, and Jersey City (substitute good!), and Long Island City (just east of Manhattan) has gone from industrial wasteland to residential area. These units are typically high-end units, so some of the increase in prices you see is a result of additions at the top of the market, not organic increase. 153554b96e
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